Cynthia Broshi shares her understanding of All Combined Energy, Pages 43 and 42, Text 2, in The Main Central Jin Shin Jyutsu Newsletter, issue Number 53, Summer 2006:
“Open your textbook and day-dream.” ~ Mary Burmeister
By the time Blueprint has developed up to page 43, Totality has differentiated into astonishingly specific aspects of Being: personality, consciousness, volume, place, shape, time, function, rhythm. Now, in 43 (7: Perfect Life Power) these aspects are blended – with one another and with Main Central – creating All Combined Energy-Timing. Within this new energetic vibration develops the Blueprint for what can only be a collaboration of all aspects of all the Depths: the functions (actions) and relationships of living tissues: nerve, flesh, blood, bone, etc. It is from within the ascending and descending breath of All Combine Energy that the 144,000 Special Body Function Energy is born.
Yet 6th Depth, Desire to BE, extends the creation of All Combined Energy even further. On pages 60-61 of Text 2, I learn that manifested tissues (nostrils, brain, vertebrae, stomach, toes, etc.) serve as an instrument to invisible Energy, just as the organ does to its activator, the organist. Energy works within the body to transform matter (food and air) back into SOURCE: invisible energies (Compressed Oxygen and Liquified Grain Function Energies). These distillations nourish their ancestor: All Combined Energy. Within the vertically spiraling down of 6th Depth BREATH into matter, and the breaking up of matter into SOURCE (As above, so below. As below, so above.). All Combined Energy-Timing forms a moebius* spiral of the horizontal plane. I see this Energy on the “Answer Sheet” as the cusp of Lumbar and Sacrum, where the relationship amongst elements (manifested Depths) is blended into the evolving and developing of man. The manifested body reflects this horizontal moebius* as pelvic girdle and pelvic floor, a cauldron of life.
Where is All Combined Energy – Timing? Each Aspect of 12 Organ Function Energy comes home to the Main Central at a specific location, as illustrated in page 43. My understanding is that their 5 relationship harmonizers (pages 36-41, Text 2) live as potential within each of the 12. Imagine a 12-tone scale in which each tone produces overtones binding it in varying harmonies to each other tone. (Many forms of music are based on such scales.) I, an individual, share capacity for varying kinds of relationships with each other individual. So these 5 relationship blueprints (which are simply grandchildren of the relationships given by Trinity: the functions of ascending and descending; blending and separating, source, SOURCE and LIGHT), bring their actions into Main Central along with 12 Organ Function Energy at each location given in the map of page 43.
To be continued…
*The Möbius strip is the configuration space of two unordered points on a circle. Consequently, in music theory, the space of all two-note chords, known as dyads, takes the shape of a Möbius strip; this and generalizations to more points is a significant application of orbifolds to music theory.
The Möbius strip or Möbius band (/ˈmɜːrbiəs/ (non-rhotic) or US /ˈmoʊbiəs/; German: [ˈmøːbi̯ʊs]), Mobius or Moebius, is a surface with only one side and only one boundary. The Möbius strip has the mathematical property of being non-orientable. It can be realized as a ruled surface. It was discovered independently by the German mathematicians August Ferdinand Möbius and Johann Benedict Listing in 1858.
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