Category Archives: Jin Shin Jyutsu

What is happening in the world of Jin Shin Jyutsu

A Letter from Japan, Part 2

Having just completed a 5-day class taught by Sadaki Kato where we learned more about the history of Jin Shin Jyutsu, I thought it appropriate to share a letter written in 1998 from Dr. Haruki Kato translated into English by Kyoko Saegusa.

This is part 2:

Both the subtle misinterpretation of the Art’s true concepts as well as the partial, unauthorized use of the name Jin Shin Jyutsu have served to confuse the public and distort the wisdom that is Jin Shin Jyutsu.

It is my wish as well as that of David Burmeister that we continue to work together and support one another’s efforts to disseminate this Art in its purest form, and that the teachings of Jiro Murai will be preserved for generations to come. When I studied with Master Murai, I was his youngest student. I apprenticed with him with the intention of devoting my life to Jin Shn Jyutsu. Master Murai encouraged me to go to an acupuncture school. I continued to study with master Murai both while I attended the school and after I graduated.

Currently, I am teaching the principles and characteristics of the medical aspects of Jin Shin Jyutsu to medical specialists in japan who are interested in oriental medicine. I sometimes use the terminology of oriental medicine to better explain Jin Shin Jyutsu.

It is my intention to eventually have Jin Shin Jyutsu become a recognized and accepted modality of the Japanese medical community. This work consumes the majority of my time, along with writing and working with my patients.

For these reasons I kindly ask that individuals refrain from contacting me directly. I do not have the time to meet with all the Jin Shin Jyutsu students who vacation in Japan and wish to meet me, nor do I wish to be called by individual students whose inquiries, due to the time differences, sometimes come in the middle of the night.

I have chosen to work directly with the Jin Shin Jyutsu instructors, who will in turn share what they have learned with all of you. In addition, I am working with Jin Shin Jyutsu, Inc. on a joint writing project that will bring greater clarity to my work here in Japan.

Respectfully yours,

Haruki Kato

This letter can be found in The Main Central Jin Shin Jyutsu Newsletter Number 20, Spring 1998 and ordered at http://www.jsjinc.net.

Thank you, Master Murai.

Thank you, Kato-san.

Thank you, Mary.

Thank you, David.

A Letter from Japan

Having just completed a 5-day class taught by Sadaki Kato where we learned more about the history of Jin Shin Jyutsu, I thought it appropriate to share a letter written in 1998 from Dr. Haruki Kato translated into English by Kyoko Saegusa:

Dear Jin Shin Jyutsu Students,

I would like to formally introduce myself to the students of Jin Shin Jyutsu, Inc. My name is Dr. Haruki Kato, and along with Mary Burmeister am one of Master Jiro Murai’s two remaining students. Although many people would come to listen to Jiro Murai’s lectures and experience his healing touch, Mary, myself and Mary’s father, Uhachi Iino represent his three serious students.

I first visited Scottsdale in May of 1992 to re-establish my relationship with Mary Burmeister and her organization, Jin Shin Jyutsu, Inc., after having been out of touch for many years. I was first contacted by David Burmeister in the fall of 1991, through my cousin and our mutual friend Hisako Suginomori. This was a timely communication considering I had been planning to contact Mary very soon myself.

Since my first visit, I have returned to Scottsdale on 2 separate occasions and have met with several of Jin Shin Jyutsu, Inc.’s instructors. The immediate purpose of our meetings is to support one another’s work and to better understand one another’s approach and application of the Art of Jin Shin Jyutsu.

Although Mary and myself are both direct students of Jiro Murai, we did not attend his lectures during the same time period. Mary was first Jiro’s student and then came her father, Uhachi Iino. It was Uhachi who brought me to Master Murai after Mary had returned to the United States to be married. Mary honored Master Murai’s wish to bring the “gift” of Jin Shin Jyutsu to America and continued her studies by correspondence. I became Master Murai’s full-time student, and before Master Murai passed away he asked me to “look after” Jin Shin Jyutsu in Japan.

The long term reason for coming together with Mary Burmeister, David Burmeister and the Jin Shin Jyutsu teaching staff invovles the nurturing and protection of Jin Shin Jyutsu. David Burmeister shares my concern about the various offshoots of Jin Shin Jyutsu being popularized by people with a very limited understanding of this precious Art. I feel that as Master Murai’s remaining students we represent the only legitimate sources of this training available today.

To be continued…

This letter can be found in The Main Central Jin Shin Jyutsu Newsletter Number 20, Spring 1998 and order at http://www.jsjinc.net.

Gassho, Namaste, Blessings

What is Jin Shin Jyutsu?

…for our new readers…

Translated from Japanese, Jin Shin Jyutsu means: The Creator’s Art through Compassionate Man. The teachings of Jin Shin Jyutsu embody all aspects of being ~ Spirit, Mind, and Body.

Similar to acupressure, Jin Shin Jyutsu is a healing Art that can be applied to ourselves and others. By using our hands as “jumper cables” and placing them on the body, we reawaken our innate state of balance and harmony. Jin Shin Jyutsu harmonizes the body’s potential to overcome stress, fatigue, injury and illness.

With a history spanning over 3,000 years, Jin Shin Jyutsu was passed from one generation to the next orally. As with many ancient healing practices taught in this way, Jin Shin Jyutsu became a lost Art. In the early 1900s, Jiro Murai, a Japanese man from a long line of medical professionals, rediscovered the Art. His curiosity, aptitude, and desire for learning inspired him to decode these ancient mysteries of healing.

In the 1940’s, Jiro Murai encountered a like-minded soul by the name of Mary Burmeister, who, along with her father, became Jiro’s first formal student of Jin Shin Jyutsu. Due to Mary’s dedication, integrity, and generosity, combined with her embodiment of the principles of Jin Shin Jyutsu in her daily living, Jiro Murai chose her as the one to bring the Art to the United States. Since then, the study, practice, and teaching of Jin Shin Jyutsu has grown throughout the world.

…from The Main Central Jin Shin Jyutsu Newsletter, Volume 1, Number 3, Autumn 1991

Thank you, Master Murai.

Thank you, Mary.

Thank you, David.

Special 5-Day Seminar with Sadaki Kato

This is day 4 of this seminar.

It is such a privilege for me to attend!

Students are here from Brazil, Mexico, the Netherlands, Austria and various states within the United States of America. It is amazing. If you ever have an opportunity to attend one of these classes, do not hesitate.

Sadaki is wise and kind and compassionate…and very funny! He can sling a joke with the best of them! He is truly a gentleman, coming from a culture of respect and consideration, to this place where no one is ever on time and even when in our places, chatting loudly…we are SO rude! Shame on us. We mean well…we are so excited and the room is filled with joy and the energy transports us to an unusual place and we behave like naughty children. And Sadaki puts on a smile and walks through the various rooms calmly ringing a little bell to remind us we are, once again, late for class. He lovingly herds us as though we were sheep and he the shepherd!

So far, for me, I am not only learning from Master Murai’s texts which have been handed down to Sadaki, but from Haruki Kato’s texts and observations and I benefit from Sadaki’s hours of experience, research and training. I have an awareness that Jin Shin Jyutsu is not simply a way to bring harmony of mind, body and spirit, but is universal and eternal in application, touching all life including the elements in these 4 dimensions and beyond. Sadaki humbly suggests relationships between each sub-atomic particle causing me to think. That is what an excellent teacher does. He/she causes the student to think.

Tuesday I asked Sadaki if the scientific basis of Jin Shin Jyustu is quantum mechanics and he said yes. I will therefore continue pursing my understanding of these theories and truths. I’m still reading “The Dancing Wu Li Masters”. It is a beginning, yes?

Life is such a wonderful adventure of discovery and Jin Shin Jyutsu has opened my heart and mind to universal and eternal possibilities and truths.

This class explores the development and characteristics of Jin Shin Jyutsu (JSJ) in Japan

  • Tracing the history of JSJ in Japan.
  • Reconstructing some of Master Jiro Murai’s JSJ lectures
  • Learning basic concepts from
    Haruki Kato’s “Jin Shin Jyutsu: Master Jiro Murai, the Originator, and His Work
    (The Method of Enhancing Tai-Eki Circulation Using Ki-Eki)
  • Acquainting with Haruki Kato’s teaching and practice of Jin Shin Jyutsu in Japan: Clinical Cases
  • Exploring and experiencing various flows and changes in conformation

So I may not only learn the given agenda, but I might even learn some manners!

Gassho, dear readers.

Now Know Myself

…from The Main Central Jin Shin Jyutsu Newsletter Issue 18, Autumn 1997, Ian Kraut writes:

Now Know Myself.

“Three little words? Let’s take a look.

What is to know? In other western languages there are two separate words. One refers to having learned facts or things or concepts. The other means to be familiar with. It seems both apply here in Jin Shin Jyutsu. We can “know” that, for example, the 4th Depth includes the bladder and kidney function flows, is represented by S.E.L. #23, has the element  water, salty taste, color blue, attitude fear, etc. It’s good to have these words so our mind can organize and make sense of this information.

If we are introduced to a man – his name is John, 30 years old, 6 feet tall, brown hair, blue eyes, works as a carpenter…, we have an idea, an image, but do we know John? When we’ve spent some time in the realm of the 4th Depth, or Main Central or a S.E.L. gives us a greater chance to know it. What do I feel under my hands, in my body, or in my self when I practice self help or jumper cable someone else’s self?

Myself is everything I’ve learned in Text 1 and Text 2. Myself is everything I’ve carried into the world, and become in interaction with the world, the universe. I am down the front and up the back, the Breath. As Mary has said, I am the microcosm of the macrocosm.

Therefore everything I find in myself is what I can find in the universe, the same order, the same down the front and up the back. The same textures that are found in the pulse are found in the universe. I am a whole one, part of the whole one, with all the other myselves. Herein lies the man of compassion. When I know myself, I know the other selves, I know the universe.

Now, what is left, is now. Now as I write this. Now as you read this. Now…, again now…, again now!! No past, no future, only now. Not the pulses I heard yesterday, but now. Not the breath I breathe tomorrow, but now. Knowledge of things locks us in yesterday’s thoughts. Awareness of all that is right now lets me know myself. Now Know Myself will give us understanding of the Breath, of the Trinity, of 26 S.E.L.’s, etc.. By Now Know Myself can we truly practice the Art of the creator through Compassionate Man.”

Thank you, Master Jiro.

Thank you, Mary.

Thank you, David.

Thank you, Ian.

The Magic Flute of Jin Shin Jyutsu

“Before we made music, music made us.” 

~ Mary Burmeister

“As Mary taught us the eight-step version of the self-help Main Central, she used to give us the musical notes corresponding to each step of the flow: C on the pube, D above the navel, E at the base of the sternum, F on the sternum, G above the sternum, A on the forehead, B at the top of the skull and high C above the head. Except for B flat sticking out at the tip of the nose, here they were, note after note from bottom to top like on the recorder I used to play as a child. Every note of the scale on the body and the higher octave of C above it.

I don’t know musical therapy but this picture always told me that here was a flow to attune my being “full scale”. And it reminds me of the mysterious flute introduced in Mozart’s opera:

‘This magic flute will protect you, support you in greatest misfortune. With it you can deal mightily, transform the sorrows of mankind…’

Through its sound wild animals can feel joy (the art of happiness), and hostility turns to friendship (the art of benevolence). It is no ordinary instrument. As in so many of mankind’s myths, music (vibration), skillfully produced through a worthy instrument, becomes the source of fine inner attunement, bringing inner and outer harmony, even changing the world and the course of events.

And isn’t this the description of the Main Central? As the One Energy Source, it brings harmony at all levels, as within, so without. As the Fire Element, it brings Self-Consciousness, uprightness and will. As the blueprint of all that I am, was and will be, it brings unlimited possibilities of change and growth. As the anatomical sphinx, it demystifies miracle healings. As the Breath of Life, it is absolute freedom.

We have many wonderful ways to harmonize the Main Central, each version equally valuable. Among them, I cherish this eight-step magic flute as I remember Mozart:

‘Oh! Such a flute is more precious than gold or crowns, for by its power will human happiness and contentment be increased.'”

~ Matthias Roth

The Main Central Jin Shin Jyutsu Newsletter, Number 14, Autumn 1996

I Am the World…(Part 2)

…by Louanne Ellis as published in THE MAIN CENTRAL Jin Shin Jyutsu Newsletter, Number 10, Autumn 1995:

“The next element in this descent from Heaven to Earth is Water. Water covers seven-tenths of the Earth, and fluids represent seven-tenths of our body weight. This is confirming and comforting in our microcosmic/macrocosmic vision. the Earth, including its oceans and atmosphere is the macrocosm for our individual bodies. We see the power of Water as an eroding and cleansing agent. It is the great “solution”, by its capacity to dissolve or contain other elements. It is also balancing in that it will start to deposit instead of dissolve when it becomes too saturated. Water corresponds to our emotional state and is responsive to both Fire and Air. It boils, it bubbles, it freezes, it sublimates, it saturates, it effervesces. Water is an activating agent. When the rains supply the material earth form of seeds with necessary moisture, and when heat is available, growth begins. We see how the mind affects the emotions in the metaphor of wind upon the waves. In the oceans we see the tempering of heat and cold. The waters are so vast that there is maintained a constancy of temperature that changes slowly and only slightly compared to the temperature of the Earth and the atmosphere. As we go deeper into the oceans the temperatures are probably even more constant. What does this tell us about our emotional nature? It is through the emotions that Fire and Air, i.e. anger and worry are modified and evened out through understanding and compassion. I think the ultimate expression of the emotional dimension is forgiveness/acceptance – the ultimate dissolving power. The same two attributes can erode resentment, bitterness and guilt. The waters move rhythmically as determined by the “Moon”. They respond continually, transforming and balancing according to the volume and velocity as we see by the sinuous contours of river beds and shore lines. We also see water as the mediator for heat (masculine) and cold (feminine) that is absorbed by the Earth and circulated by the Winds, originating from the Sun. The element Water corresponds to the 4th Depth. The three Water signs in Astrology are Cancer, Scorpio and Pisces which correspond in Jin Shin Jyutsu to the toe flows Spleen, Kidney and Liver respectively. There is nothing physical that Water does not seem to alter in time, cannot seem to contain, to hold, to buoy up and purify.

The combination of Water and Air together forms clouds that obscure the Sun. Disturbing emotions create weather fronts and storms that appear to separate us from our light, our source. It seems as if the storms are necessary in order to provide for the rain that cleanses and moisturizes the Earth. The rains are vital for growth. Our tears are vital for our own growth, without the storms in our consciousness (resolved emotionally and integrated with our higher self) our essence is dormant. It seems to be the pain of our emotions and attitudes that evolves our consciousness.

The final element is the material world and our Earth, corresponding to the 1st Depth. The three Earth signs are Taurus, Virgo and Capricorn, which correspond in Jin Shin Jyutsu to the finger flows Large Intestine, Small Intestine and Umbilicus respectively. Earth is a regenerating home, a continually responding medium for preservation and gestation. The Earth is warmed by the Sun, cooled by the Winds, activated by the Rains. It is at the level of Earth that the organization of elements provides for materialized life. The four elements symbolize life in manifested form, and – in our solar system – the four seasons and the four directions. Earth corresponds to number four, the materialized world and the realm of material experience for the individual soul.

By observing our world we allow the holographic meaning to expand our awareness. As we observe the Sun we are reminded of the continual outpouring of light from the Creator that sustains our body and our spirit. If we watch the Wind, we will be able to see the way the mind works. If we observe the Waters we can see the power in our emotions. The Earth sustains us physically in continual regeneration, giving birth every Spring to a new cycle of life. The Earth is the arena of our experience. Through its limitations and rules, in a time-space dimension, our consciousness develops. The Earth is an evolutionary agent for our physical, emotional and spiritual growth.”

Louanne Ellis has studied Jin Shin Jyutsu for ten years, astrology for twenty-seven years, and the Qabala and numerology for three years. She teaches in Arizona, Colorado and New Mexico and she welcomes questions and comments.

Thank you, Mary.

Thank you, David.

Thank you, Louanne.